Case Study
"Creative Vandal"

How Nick Egan Rose from Working-Class Roots to Become One of Hollywood’s Most Influential Music Video Directors.

1. Title and Overview

Title: Creative Vandal – A Documentary by DOGMA85

Overview

DOGMA85's latest documentary Creative Vandal chronicles the extraordinary journey of Nick Egan, the visionary music video director behind iconic works for artists like Duran Duran, INXS, and Malcolm McLaren. Over the course of five days in Los Angeles, the film captures Egan’s rise from a working-class background to becoming a revolutionary force in music video production. Shot across two continents, the film highlights how Egan’s punk rock and hip-hop influences shaped his creative approach. Through a blend of raw interviews, creative cinematography, and innovative post-production techniques, Creative Vandal explores the legacy of one of Hollywood’s most impactful directors.

2. Project Background

Nick Egan

A renowned creative director and music video innovator, Nick Egan is known for his groundbreaking work with high-profile bands like INXS and Duran Duran. His artistic roots lie in the punk rock and hip-hop scenes of the late 20th century, and his career has seen him push the boundaries of both film and design.

NICK EGAN

Project Type

Feature-length documentary produced by DOGMA85, with a focus on artistic storytelling, interviews, and creative visuals.

Studio’s Role

DOGMA85 was responsible for the full production process, from conceptual development, filming, and editing to distribution and festival submissions.

3. Objectives and Challenges

Objectives

Capture the essence of Nick Egan’s revolutionary approach to filmmaking and how his punk and hip-hop influences shaped his career. Highlight his artistic innovations in cinematography and editing, showcasing his distinctive, hands-on techniques.
Create a compelling documentary that resonates with both fans of Egan’s work and broader audiences interested in music, art, and film history.


Challenges

Tight production schedule

The main filming was done in just five days in Los Angeles, with additional interviews in London.

Scheduling conflicts

Securing an interview with John Taylor (Duran Duran) during his brief stop in London was particularly challenging, requiring extra crew and rapid adjustments.

Zoom Interviews

Due to logistical challenges—needing to shoot additional scenes in LA while the director was in London—Zoom was used for key interviews. Although the quality wasn’t ideal, the lo-fi aesthetic complemented the punk vibe of the film.

Fair Use and Copyright

Integrating iconic music videos and footage under fair use laws was tricky. We creatively layered music videos behind Egan’s interview with sound filters to add context while adhering to legal constraints.

4. Approach and Strategy

Creative Direction

Nick Egan’s creative work is characterized by a raw, experimental style that defies traditional norms. His revolutionary use of cinematography and editing inspired our film’s visual and narrative approach. Egan often pushed technical boundaries, employing techniques like burning film stock by exposing it to sunlight or bleaching film strips to create a distressed, anarchic look. We sought to emulate this by blending polished storytelling with a deliberately unpolished aesthetic to mirror his vision.
In addition to this raw aesthetic, we utilized motion graphic design and animated elements to further enhance the storytelling. For instance, in the scene where Nick recalls a train journey at the 7:00 mark, motion graphics animate the view in the train windows while the camera subtly shakes to mimic the motion of a real train. This combination of animation and live-action footage added depth and immersion, bringing key moments of the narrative to life while staying true to the film’s artistic integrity.
Furthermore, we employed AI-generated visual effects to enhance the emotional depth of certain scenes. In a standout moment where Nick Egan discusses the inaccessibility of music in the 1970s, we applied AI to create a dramatic crash zoom-out that places Egan in a desolate forest, visually amplifying his feelings of distance and struggle. This effect, combined with subtle atmospheric sound design, deepened the emotional resonance of the scene, showcasing our ability to merge innovative technology with storytelling.
In addition to the film's raw aesthetic and innovative use of motion graphics, Creative Vandal features unique graphic elements that set it apart. Nick Egan personally painted the title cards and chapter dividers used throughout the film. These hand-painted graphics not only serve as visual markers that guide the audience through different segments of the documentary but also infuse the film with Egan’s distinctive artistic flair. Each title card and chapter divider reflects Egan's artistic vision, adding a personal touch to the film's presentation and enhancing its authenticity and visual appeal.
Main Title Designed and Painted By Nick Egan
Main Title Designed and Painted By Nick Egan
Chapter Title Designed and Painted By Nick Egan
Chapter Title Designed and Painted By Nick Egan
Music Video Title Designed and Painted By Nick Egan
Music Video Title Designed and Painted By Nick Egan
Filming and Production

The primary shoot took place over five intense days in Los Angeles, capturing Nick Egan in various locations that were significant to his career. We also revisited locations from his iconic music videos, such as Ordinary World and Step Back in Time. To maintain production quality while staying on budget, DOGMA85 partnered with Deckhand Camera Rentals in exchange for film credits, optimizing resources without sacrificing quality.

Huntington Gardens (Location Ordinary World by Duran Duran)
Huntington Gardens (Location Ordinary World by Duran Duran)
Central LA (Location Step Back In Time by Kylie Minogue)
Central LA (Location Step Back In Time by Kylie Minogue)
East LA river (Location Youth Against Fascism by Sonic Youth)
East LA river (Location Youth Against Fascism by Sonic Youth)
Post-production

The editing phase was a crucial element of the documentary, blending raw, cinematic visuals with sound design that accentuated Egan’s narrative. During the post-production process, we had the privilege of accessing a vast amount of archival material from Nick’s career. This included his iconic artwork, music videos, and rare VHS footage featuring the Sex Pistols, Michael Hutchence, and INXS. These assets were seamlessly woven into the documentary, adding rich layers of authenticity and depth to the storytelling.
Old Clip of John Lydon from Sex Pistols at 100 Club in London
Old Clip of John Lydon from Sex Pistols at 100 Club in London
Nick Egan and Michael Hutchinson from INXS
Nick Egan and Michael Hutchinson from INXS
BTS of the video Step Back in time by Kylie Minogue
BTS of the video Step Back in time by Kylie Minogue
5. Execution and Process

Pre-production

We worked closely with Nick Egan to ensure that the documentary accurately represented his career and artistic philosophy. Research and interviews shaped the narrative structure, with a clear focus on Egan’s innovative techniques in music video direction.

Production

The Los Angeles shoot captured Egan’s personal reflections and took viewers to locations of his most memorable music videos.
The London shoot involved high-profile interviews with John Taylor (Duran Duran) and Sean Dickson (SOUP DRAGONS), which required careful coordination due to their limited availability.
We conducted additional REMOTE interviews with key figures from Nick’s past, including Siobhan Faye (Bananarama) and Michael Holman (hip-hop filmmaker).

Partnership with Deckhand Camera

For the production of Creative Vandal, we partnered with Deckhand Camera, a prominent camera rental company in Los Angeles. This collaboration provided us with high-quality equipment essential for capturing the documentary’s dynamic visuals. In exchange for their support, we credited Deckhand Camera in the film. To ensure the mention of Deckhand Camera felt integrated and stylish, we designed a visually appealing segment that aligned with the documentary’s aesthetic. This approach maintained the film’s artistic integrity while acknowledging our sponsor in a subtle, creative manner.
Post-production

 The post-production phase was vital in bringing Creative Vandal to life. We carefully balanced the film’s raw, punk-inspired visuals with innovative editing techniques and sound design. In addition to this, we integrated motion graphics and animated elements to EMPHASISE key moments in the documentary AS MENTIONED IN THE CREATIVE DIRECTION.
Marketing and Trailer

To build anticipation, we created a trailer and released it two months before the documentary’s launch. The trailer featured a compelling montage of clips and prominently highlighted Nick Egan’s work with iconic artists like Duran Duran, INXS, and Bob Dylan. This strategy aimed to attract a broad audience, leveraging Egan’s famous collaborations to maximize appeal.
YouTube Thumbnails

The thumbnails played a critical role in driving engagement on YouTube. While incorporating text into thumbnails typically boosts click-through rates (CTR), we wanted to maintain a visually appealing and artistic presentation. To achieve this, we designed the thumbnails with bold, strong text that was carefully integrated into the imagery. The text was visually harmonious, blending with the overall photographic style, keeping it both functional and aesthetically pleasing. This artistic approach contributed to the high CTR, with peaks around 7%.
Documentary Thumbnail Image Youtube
Documentary Thumbnail Image Youtube
Teaser Thumbnail Image Youtube
Teaser Thumbnail Image Youtube
6. Results and Impact

High Audience Engagement

The documentary achieved an impressive average watch time of 9 minutes on YouTube, well above the platform’s average for long-form content DOCUMENTARY. This shows strong audience retention, indicating the film’s ability to captivate viewers.
Festival Selection

Creative Vandal has been officially selected by the Doc’n Roll Festival, the largest music documentary festival in the UK, for a premiere in 2024. This validation underscores the film’s cultural relevance and artistic impact.

Podcast Interview

As part of our promotional efforts, we secured an exclusive interview with the director on the INXS Podcast, which has an audience of nearly 20,000 listeners. This platform provides additional exposure to the documentary, helping us reach a dedicated fan base.

Positive Feedback

Audience responses on YouTube and from early screenings have been overwhelmingly positive, with many praising the film’s artistic depth and the immersive storytelling approach.

7. Special Guests and Notable Appearances

One of the key elements that elevate Creative Vandal is the inclusion of special guests who provide unique insights into Nick Egan’s career and legacy. These appearances not only add depth to the narrative but also underline the vast network of influential artists and filmmakers who have collaborated with or been impacted by Egan's work.

Featured Guests Include

John Taylor (Duran Duran): As a member of one of the biggest bands in the world, John Taylor shared personal anecdotes about working with Nick on the iconic Ordinary World music video. His exclusive interview, filmed in London during rehearsals for a new tour, provides a firsthand account of Egan’s creative genius.
Alison Iraheta (American Idol Finalist): As a contemporary artist influenced by Egan’s work, Iraheta brings a fresh perspective, demonstrating how Egan’s creative legacy continues to inspire new generations of musicians and filmmakers.
Sean Dickson (Soup Dragons): Sean Dickson, frontman of the influential band Soup Dragons, shared his experiences working with Nick Egan. Dickson’s insights into their collaborations offer a glimpse into how Egan’s directorial style influenced the music video landscape of the time.
Remote Interviews via Zoom

To capture insights from these key figures who could not be physically present during our shoots, we utilized Zoom for remote interviews. This approach was particularly valuable for scheduling and accommodating the availability of high-profile guests. Despite the lower video quality of Zoom compared to high-definition filming, this method suited the documentary’s raw, punk-inspired aesthetic. The lo-fi nature of Zoom interviews complemented the film’s gritty, unpolished style. By integrating these remote interviews seamlessly with the rest of the footage, we were able to include crucial perspectives while maintaining the documentary's dynamic, immersive quality.
These guest appearances add significant value to the documentary, offering a multi-dimensional view of Nick Egan's career through the voices of those who collaborated with and were influenced by him. Their stories and experiences help paint a comprehensive picture of Egan's contributions to both music video direction and broader pop culture.

Siobhan Fahey (Bananarama): A childhood friend of Nick Egan, Siobhan Fahey reflected on their shared artistic influences from the punk scene and how it shaped both their careers. Her perspective adds a personal layer to the film, connecting Egan's creative journey to a wider cultural context.

Michael Holman (Filmmaker): A pioneer in the early hip-hop scene and an expert in its history, Michael Holman discussed Egan's impact in the New York creative world, particularly through his work with Malcolm McLaren. His contributions highlight the crossover between punk and hip-hop that defined much of Egan’s artistic career.

Leigh Gorman (Bow Wow Wow): Egan worked closely with Bow Wow Wow, a band that blended punk and new wave styles, and Leigh Gorman’s insights further illustrate how Egan’s direction helped shape the visual aesthetic of an entire era.
8. Key Learnings

Adaptability

The tight shooting schedule and logistical challenges required us to be flexible, especially when working with high-profile figures like John Taylor. We learned to think on our feet, making swift adjustments that still met our creative vision.

Creative Use of Resources

Leveraging fair use in a legally compliant yet innovative way allowed us to include Nick’s iconic music videos without sacrificing narrative quality. This balance between creativity and legal constraints was a valuable learning experience.

Remote Collaboration

The decision to use Zoom for interviews due to logistical constraints proved beneficial in maintaining the documentary’s lo-fi, punk aesthetic. This highlighted the importance of making technical limitations work in favor of the film’s artistic direction.

9. Conclusion

Creative Vandal serves as a powerful testament to DOGMA85's ability to create thought-provoking, artistically rich documentaries under tight schedules and challenging conditions. The film is not just a celebration of Nick Egan’s career but also an example of DOGMA85’s capacity to innovate, adapt, and deliver high-quality content that resonates with audiences.

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